
Martina Borgomanero Basabe
It is now December 11 and everywhere pre-vacation congestion starts and I am not talking about the flu. Traffic gets crazy, stores get busy, people invade the streets for Christmas shopping, whether it is tree, tree decorations, or a very large amount of presents to buy for family and friends.
Not in Miami.
In Miami, second week of December equals to ghost town. Restaurants are empty, people are zombies, streets are deserted and all of this because of one reason and one only – Post Basel Syndrome (PBS).
Let’s start from the beginning – allegedly Art Basel runs for four days, this year from December 4 to 7. NOT TRUE. Art Basel runs for a solid ten, starting the weekend before and finishing the weekend after the week of the actual exhibits, and reaches a peak during those four days and three nights that is comparable only to a freight train that derails, hits everyone and everything around it, but just keeps on going leaving desolation behind. Hence – ghost town.


Last night, GUCCI and Spinello Projects hosted a private cocktail preview of artist Kris Knight’s solo exhibition Smell The Magic. This pop-up in the heart of the Miami Design District at 95 NE 40th Street marked the beginning of Miami Art Week 2014 and coincided with the release of Knight’s first published catalog.
By: Dr. Mary Jo Almeida-Shore
The Miami Symphony Orchestra’s (MISO) Grand Season Opening on Sunday, October 5, at the Adrienne Arsht Center for the Performing Arts was a night filled with spectacular music and surprises. Venezuelan Maestro, MISO’s Music Director and Conductor, Eduardo Marturet led the orchestra throughout the two-hour concert with his usual dramatic flair. Dressed in a tuxedo with tails and his signature Donald Pliner loafers, (in royal blue) Marturet delighted audiences through a concert of pieces by Mendelssohn, Rachmaninov, and Brahms. For the second act, world-famous Russian pianist, Lola Astanova, took the stage, to show her mastery on a stunning Steinway Piano. Astanova, who literally sparkled in a bejeweled dress, is considered to be among the most watched virtuoso performers in the world. Under the leadership of Maestro Marturet, her emotional style of performing Rachmaninov’s melodies was sensational. Following the intermission, the orchestra performed Brahms’ masterful Symphony No. 1, declared “the greatest symphony since Beethoven’s Ninth.” During the concert, a representative from famed piano manufacturer, Steinway & Sons (the official piano of the MISO) presented Maestro Marturet with an award and declared him a “Steinway Artist.” 

